The earnings from this business enabled him to move to Europe and launch a second writing career. At age twenty-seven he gave up writing to run a company that arranged for school children to set up savings accounts. Between 19 he published over thirty stories and four novels, mostly in pulp magazines. He decided college had nothing to offer him, and after bouncing around (usher, bookkeeper, Navy yeoman, etc.) he settled in New York City to try to write. Rex was a child prodigy, a whiz at spelling and mathematics. He was born in 1886 in Noblesville, Indiana, to a politically liberal Quaker family. So I post it here as a kind of homage-but also as an argument for the artistic accomplishment of a writer who has given me a lifetime of pleasure. The result has turned out to be far longer than it can be as a chapter in the book. Now, while working on a book on popular narrative in fiction and film, with an emphasis on crime and mystery storytelling, I thought it was time to dig in more analytically. Do young folks read his books, or watch the TV shows based on them? For me, in the early 1960s the adventures of Nero Wolfe and Archie Goodwin provided one model of grownup behavior-part of the vista revealed by the Adolescent Window.įor decades since then, I’ve returned to Stout’s books at intervals as the fans say, they’re exceptionally rereadable. Today Rex Stout isn’t as well-known as he once was. Suspense, excitement, thrills, suspicion, Preface, Croatian edition, On the History of Film Style The Hook: Scene Transitions in Classical Cinema William Cameron Menzies: One Forceful, Impressive IdeaĪnother Shaw Production: Anamorphic Adventures in Hong Kong The Classical Hollywood Cinema Twenty-Five Years Along The Viewer’s Share: Models of Mind in Explaining FilmĬommon Sense + Film Theory = Common-Sense Film Theory? Murder Culture: Adventures in 1940s Suspense Shklovsky and His “Monument to a Scientific Error” Lessons with Bazin: Six Paths to a PoeticsĪ Celestial Cinémathèque? or, Film Archives and Me: A Semi-Personal History Planet Hong Kong, second edition pdf onlineĮxporting Entertainment: America in the World Film Market 1907–1934 pdf onlineĬinemaScope: The Modern Miracle You See Without GlassesĬonstructive editing in Pickpocket: A video essay Pandora’s Digital Box: Films, Files, and the Future of Movies pdf online Reinventing Hollywood: How 1940s Filmmakers Changed Movie StorytellingĬhristopher Nolan: A Labyrinth of Linkages pdf online Perplexing Plots: Popular Storytelling and the Poetics of Murder
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